• Nick's Great Information Friday for 11/25/11
Friday, November 25, 2011 at 9:08 PM
Nick DeMartino in Apple, Books, Evernote, HTML5, Hollywood, NGIF, NGIF, Starz, Twitter, apps, data, social-media, software, technology, technology, television, television , tips, transmedia

Pardon my turkey, but I guess I'll blame Thanksgiving for a tardy edition of my Friday summary of the best tweets, posts, and quotes from the past week.

THE FUTURE WAS YESTERDAY. This prescient piece in the NY Times looks at web-based predictive software: “The Web has come to reflect the world,” says Christopher Ahlberg, the co-founder and chief executive of Recorded Future. “We can use that to predict things.”

DIGITAL DARWIN: Brilliant biz strategist Brian Solis nails it in this Washington Post post: “Digital Darwinsim and why brands die.” Key quote: “ If organizations cannot recognize opportunities to further compete for attention and relevance, they cannot, by default, create meaningful connections, a desirable brand or drive shareable experiences. The brand, as a result, will lose preference in the face of consumer choice, which may one day lead to its succumbing to digital Darwinism.” 

E-TEXTS: Textbooks aren’t just any books, says Christopher Scheutze in the NY Times, and then explains why  “Textbooks Finally Take a Big Leap to Digital”

900 POUND APPLE: Fear of Apple iTV has manufacturers ‘scrambling’ says the LA Times. “Could any company other than Apple could be leaving its competitors in the dust in an industry it hasn't even entered yet?”

BUNDLE UP: Everyone knows that the cable bundle is a business model that is bound to collapse sooner or later – consumers hate It. Biz observers watch closely for signs of the chinks in cable’s armour, and this rundown on Starz’ options after it exits its Netflix deal may be one.

MPAA VS. TORRENT, AGAIN: The battle lines over piracy have been drawn for many years, with the studios on one side and “information wants to be free” team on the other. This post on TorrentFreak does something different: analyze the potential cost of copyrighted movies using Netflix as value. Not scientific, but interesting.

FUTURE OF TV: I summarized my opening remarks for a Future of Television Panel at Georgia Tech’s Future Media Fest.

WEB SERIES: Bill Robinson urges viewers to take a seat “in the Booth at the End” in a post on HuffPo about the much-loved made-for-broadband series.

DANISH MODERN: The Guardian reports that UK TV is getting more non-English series from other countries, due to the phenom success of Denmark’s THE KILLING, which returns for a second season. I watched season one, thanks to a secret friend, and am jonesing for season two of this most-brilliant police procedural, better than the American adaptation.

ONLINE REPUTATION – can’t live with it, can’t live without, evidently, given the heat and light around social reputation site Klout, like this scorcher from self-described geek Pam Moore, who tells why she has deleted her account. Check out this new reputation site with an even better name: Flout. How about Flaunt? Or Pander?

STATS: YouTube is now serving 3.5 billion videos per day, and that’s 1.5 million more per day than just a year ago. Jeez! A new study reports that one-third of online consumers will use a tablet by 2014.

SOFTWARE WARS: The headline says it all in this CNET post by Rafe Needleman further analyzing mobile content development in the post-Flash era: “HTML5 will kill mobile apps. No, it won’t!” 

SOFTWARE LOVE: You don’t see love-letters to software applications like this one every day, in which web designer Paul Boag sings the praises of Evernote. Since I happen to agree, I gave this tweet a star! Seriously, if you don’t know about Evernote, read this.

TWITTER LOVE: I learned much from this Business Insider post: “Twitter is Quietly Building a Huge Business” – fave quote: “Twitter is the new TV.”

TRANSMEDIA. My coverage of StoryWorld conference – What Transmedia Has to Teach (and to Learn) was published on The Wrap, an online showbiz trade, in case U missed it. Jen Begeal’s coverage of the same event has a decidedly feminist approach, due to the pronounced impact of females on stage and in the audience. Check out: “Where the Transmedia Girls Are”

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